Deborah's Journal

It has often seemed to me that fans of J. R. R. Tolkien’s The Lord of the Rings (and The Hobbit) fall into two categories: those who adore Peter Jackson’s films and those who despise them. I fall into the former category and my husband into the latter. From our conversations, I have concluded that in most cases, it is impossible to change the other person’s mind (not to mention disrespectful to try). This is hardly a problem of cosmic importance, unless one person attempts to drag the other to all six extended cut versions of the movies or prevents the other person from enjoying them. Both sides put forth arguments and reasons, and they are entitled to them. I think just about everything that can be said has already been expounded upon.

I am firmly in the love-them camp. All the objections folks have are absolutely right, and have no relevance to my experience of the movies. The uncritical, immersive, “take me away” quality of my enjoyment of the films has definitely piqued my curiosity. What happens when I spend hours in Jackson’s Middle Earth?

In general, I am far less critical of visual media than of text. Because my own art form is prose, I have developed a keen internal editor and critic that may be regaled to the back seat but never entirely departs. I have no such filters for films or paintings. Only a horrifically bad film can destroy my suspension of disbelief, but horrifically bad films are enjoyable for quite different reasons than good ones.

I devoured Tolkien’s novels as a young adult, although I never wanted to run away to Middle Earth then. I found some aspects of the books frustrating: the “travelogue” passages were often tedious, I had no idea what Tom Bombadil was doing in the story, and I had trouble forming clear images of many of the places, for example Helm’s Deep. Nonetheless, I joined the ranks of fans wearing buttons that said “Frodo Lives!” and “Beware the Balrog.” I stood in line to see the films by Ralph Bakshi and Rankin-Bass (The Hobbit and The Return of the King), all of which I found unsatisfying. The hobbits and dwarves in the animated versions were silly, in bad need of haircuts, and the Bakshi film was just plain weird. The orcs looked like sabertoothed Sand People (from Star Wars), the Balrog was a costume from a bad opera, Boromir looked ridiculous in a Viking helmet, and none of the character moved in a natural way. Et cetera.

I had no idea who Peter Jackson was, but special effects had come a long way since the 1970s. Needless to say, I had excitement but not high hopes. I came prepared to see a live action version of the previous attempts. Five minutes into The Fellowship of the Ring, I was in love. The Jackson films “clicked” for me and brought the stories alive in ways that previous versions, even the original text, fell short.

This is not to say that everyone must feel the same way. Different media and different interpretations work for different people. I’m delighted that some folks prefer Tolkien’s text or even the animated versions. I am also delighted that this one form of presentation worked so well for me. When I go back and read the books, I can now immerse myself in the rich and varied landscapes of Middle Earth, and see and hear the characters.

After the extended editions of all three Ring movies came out on DVD (and I had watched all the commentaries and appendices), I set them aside. Every few years, however, I would watch them (3 movies over 2 days, usually, and when my husband – who is in the “doesn’t work for me” camp – was out of town). Either by happenstance or internal prompting, my schedule synchronized with the parole hearings of the man who raped and murdered my mother. That is, I’d gear up for the hearing, get re-traumatized no matter what precautions I took, come home and fall apart, and slowly put myself back together again. Some quality of the Jackson films spoke to me and offered itself as a healing tool.

I have some ideas of how this works. “Sanctuary” is one of them: a safe and glorious space, with companions who ensure I do not walk alone through the darkness. The defeat of evil when all hope is lost, with the crucial role of an act of mercy, a reminder to nurture my own capacity for compassion – for myself, for others. Lastly, the cathartic nature of the battle scenes.

This latter had not occurred to me until I was relating to an acquaintance that one of the ways I “let down” after a parole hearing was to watch the Jackson films. His response was that the films were way too violent for him (and he implied that exposure to violent scenes is in itself a destructive thing). As I thought about this, I realized that the re-triggering of past trauma, overlaid with new, painful revelations and the harrowing experience of entering a prison and seeing the perpetrator, left me saturated with feelings I had no way to discharge. Vigorous exercise was insufficient, and calming practices like yoga or meditation were too sedate. In years past, I practiced Chinese martial arts, particularly kung fu, but injuries and the absence of a studio ended that outlet 15 years ago.

On the other hand, if I allowed myself to enter into the world of the films, leaving my movie critic outside and immersing myself in the story, welcoming the psychological manipulation, I experienced a physical and emotional release. The length of the films gave me time to do this. The effect was to shorten the time of tension and restlessness. It was as if I had taken my own nightmares and thrown them into the fight scenes, and then done battle with them, with Aragorn and Gandalf and Eowyn and all the others at my side. And in the end, I came home with Sam to my own garden.

Now I can watch them – and The Hobbit movies as well – for escapist style entertainment, but there is always at least a hint of magic that lingers. The music has brought its own gifts, which I’ll share with you in a subsequent post.

jaylake on how pain is not a competition. I found his words profoundly moving.

Except suffering is not a contest. Suffering is not a race to the bottom. It’s not a competition to see who has the worst, most unspeakable affliction.

I run into this when I tell my own story about my mother’s murder. People always want to compare their pain to mine and it simply doesn’t work that way.

Pain is pain. When we hurt, the last thing we need to think is that somehow our pain isn't sufficient or worthy because someone else has a more spectacular story.


[cancer] Comparing pain cards just makes me want to go for my thankfully nonexistent guns | jlake.com

Normally, I don't do a lot of mirrored posting, but I feel so strongly about this issue that I want to share my perspective with all my friends. So here's my personal essay on healing from a private grief in the midst of national remembrance.

At this time of year, I often feel out of step with the rest of the country, at least as portrayed by the media and demonstrated by election results. This year is different.

Like just about everyone else I know who's old enough to remember the events of 9/11, I have a vivid memory of how I learned about them. I was driving my younger daughter to high school and we were listening to the news on the car radio. We heard the announcer cry, "The second Tower is down!" and the rest of the story tumbled out. The way the events unfolded reminded me poignantly of John F. Kennedy's assassination. I was in high school in 1963, just about the same age my daughter was on September 11. Listening to the news broadcast with her, I experienced a parallel of my own youthful experience. Once again, the world became to be a dangerous and unpredictable place, but for me it was not the first time. I too responded with a feeling that the world has changed forever, but I also had the memory of having walked through this before -- and not just the Presidential assassination.

For me, Septembers will never be solely about 9/11. Twenty-five years ago this month, my mother was raped and beaten to death by a neighbor kid on drugs. It was a spectacularly brutal, headline-banner crime, but only part of a larger tragedy, for his own family had suffered the murder of his older brother by a serial killer some years before. My body knows when the anniversary is approaching, even when my thoughts are distracted. The shift in the quality of the light at summer's end reaches deep into my nervous system. The scar tissue on my heart aches. The ghosts of things that once held the power to drive me crazy stir in the darkness. My sleep becomes fragile, even though I no longer have nightmares. It's a hard time, an intensely personal time.

One thing I have learned over the years is that grief isn't fungible; you can't compare or exchange one person's experience with another's or say, This one's pain is two-thirds the intensity of that one's. Grief is grief; loss is loss. There's no benefit to anyone in comparisons. And no one else can do the hard emotional work of healing for us.

Around me and in the media, I see public displays of remembrance and more often than not, I feel reluctant to share mine. For one thing, I've lived with my story for over two decades and I've had extensive trauma therapy, but the person I tell it to is hearing it for the first time. "My god," they say, "how did you live through that?" At most times of the year, it's a gift to be able to sit with them, give them time to catch up, and to share a little of what I've learned about healing. But not this season. I need to have a time just for my own grief, a time that is just for my mother.

If someone says they lost a loved one in 9/11, or they had to pass the rubble every day on the way to work, or they were involved in some other way, they have no need to recite the circumstances. Because those events are known to the greater community, there is a sense of shared experience or at least an appreciation of the horror and grief of those directly affected. Individual losses occur in much smaller communities. I have come to believe that none of us can truly understand what another's loss is like. We are all individuals with our own histories, our own resources, our own lurking insanity. But we can say, "Even though I don't know what you're going through, my heart goes out to you." In my own life, I have found this deeply supportive.

I don't want to minimize or take away from the feelings of anyone affected by 9/11. We should be allies, for surely there is enough compassion, enough tears, enough fury, enough mending of hearts, to go around. Sorrows shared are divided, or so it is said. Until now, I have not found a way to both acknowledge the collective grief around me and to maintain the separate integrity of my own. What we share, in many variations, is the darkness and the long slow journey to the light. We share the craving for justice, the moments of irrational fury, the struggle against a world that seems capricious in its viciousness. We share the desperation to hold someone accountable, to inflict blame, to punish that person to the utmost in the hope that somehow it will make us stop hurting. That desire to lash out and make the perpetrator suffer is a universal human impulse, but I believe it is only one part of the initial reaction to a horrific tragedy. It is something we pass through on our way back to wholeness. Anger and adrenalin, with their energizing power, help us to get through the early stages. However, both are anesthetizing, numbing to both emotion and spirit. If we remain there, frozen, we cannot wrestle with the deeper issues of healing from trauma.

What has changed for me this year is that I have begun to work for the abolition of the death penalty. Speaking only for myself, I see strong parallels between a murder victim family seeking this form of revenge and the vilification of the Muslim community concurrent with the invasion of Iraq. Of course, justice is desirable. Criminal acts call for appropriate consequences. I would never say that it's okay for my mother's killer to walk the streets or that those responsible for the 9/11 attacks should not be prosecuted according to law. Setting aside the politics of that invasion and the problems with the application of capital punishment, however, my concern is with whether retaliative actions help or hinder the recovery of the survivors.

My own experience is that revenge does not. I want to emphasize that I do not speak for anyone else. We all have different experiences. For me, focusing on wishing harm to the one who had harmed my mother might well have kept me locked -- incarcerated -- in a state of bitterness and hatred. While I was in no way to blame for what happened, I still bear the responsibility for what I do with it. It's like the adult child of an alcoholic getting herself into therapy instead of whining helplessly, attributing all her problems to her upbringing.

I have to ask myself, What do I need? What do I want? One of my inspirations was a woman of astonishing kindness and grace, whose daughter and son-in-law were murdered and whose bodies she discovered. She told me that she faced a choice of whether or not to let herself be driven crazy by what she experienced. I think we all have that choice -- to succumb to the darkness of our anguish and righteous fury, or to walk through it, to move beyond it.

I remember the scene in The Princess Bride where Inigo Montoya finally tracks down Count Rugen, who begs for his life and offers anything. Inigo says, "I want my father back!" (and then kills him). I want my mother back, too. All those who lost loved ones and colleagues want them back. We know that's impossible, but what is possible is to get our own lives back. Our own selves. Our best selves.

My experience of healing is that I get myself back when I focus on re-engaging with life, on fully experiencing my feelings, on understanding what I have lost and what can never be replaced, but what can be restored. The more I stop looking to an external event (the execution of the murderer) to somehow make me feel better or "achieve closure," and instead focus on taking care of my insides -- my heart, my spirit, my body -- the better I fare.

So I've been talking about my own healing process and what I've learned. I've been meeting with other family members and with people who've been sentenced to death and then exonerated. I've been looking for ways to build bridges, to nourish tolerance and reconciliation, to create understanding. I make an ongoing conscious decision to not harbor hatred in my heart, but to fill it instead with what I want in my life.

Love. Compassion. Gratitude. Joy. Wonder. Peace.

I can think of no more fitting memorial for my mother . . . or for those who died on 9/11.