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I had to become someone else to write the things that were important to me.

Let me back up a little. You’ll hear this phrase, “write from the heart,” a fair amount as you navigate the world of writing advice. When I suggested the topic to Deborah, she immediately pointed me to a podcast in which Betsy Wollheim of DAW spent fifteen minutes giving just that advice. So I want to talk a little about why it’s important, why many people don’t do it, and how you can.

Writing from the heart is scary. It means exposing yourself to the world. In a way, it’s like having an intimate conversation with hundreds or thousands or (if you’re lucky) millions of strangers. It’s talking about the pain of breaking up, the fear of not having enough to eat, the loneliness of losing a parent, the depressing reality of falling short. It’s talking about falling in love, about the joy of discovery, about those words your mother said when you were six that you carried with you all your life. It can mean describing your journey from realizing you’re different to realizing that that’s okay.

If this scares you or disturbs you (in an emotional sense rather than a horror sense), that’s good. Tap into a place where you’re not comfortable: those are the raw places from which powerful writing comes. You guard them because they are important to you. And when they are important to you, that passion comes across in your writing. When you put yourself on the page, the reader can feel that, because your characters reactions feel authentic.


Here's how I did it: I’d been more and more openly gay for about a decade when I moved in with my then-boyfriend (now husband), but I still kept it private from my co-workers and other casual friends until I got a better sense of how it would be received. What was fueling my writing then was the urge to show gay characters falling in love, the way I was falling in love.  And I wanted to write them in the aesthetic I was discovering, using animal-people to represent character archetypes.

This was important to me, but it was also scary, not just because of having employers who knew, even then, how to use search engines, but also because I would be writing intimate emotional details. Hidden behind other characters, yes, but it would be exposing who I am in ways I didn’t even do with people I’d worked beside for years.

So I created a new identity. I wrote stories, then a novel, then another novel.Read more... )
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Book promotion: the thing most of us love to hate but have to do. What follows is an overview of what I did before and after my first novel was published in May, 2012.

Back in the misty regions of 2011, my publisher (Lethe Press) and I agreed that my first novel, Silver Moon, would be published in 2012. Armed with a copy of Jeff VanderMeer’s BookLife, I started planning. I knew I was going to need all the marketing help I could get and practice makes perfect and all that.

I started out by trying to define my book. I had to understand what I was selling, apart from “my first novel.” Silver Moon is a novel about a menopausal woman who turns into a werewolf. It is also about developing a community and starting a new life. And my protagonist begins to come out as a bi woman over the course of the novel. It is not, however, primarily a romance nor is it erotica. This description helped me identify possible target audiences for the book: older women, werewolf fans, fans of LGBTQ fantasy, general fantasy readers, etc.

Then I moved on to what I had to work with.


            Pros:
  •  5 other books written or edited and a number of short stories published = name recognition
  • Awards received for existing books = more name recognition
  • Working with the same publisher (Lethe Press) I had worked with for my other books = consistency
  • Reviewers and a (small) fan base familiar with and friendly to my work = existing foundation for a launch
  • Existing social media presence, blogs, professionally-designed website = means of promotion under my control
  • Membership in several organizations that would support my book promotion (Broad Universe, Outer Alliance, SFWA, etc.) = opportunities for outreach as well as networking with other authors
Cons:
  •  Primary name recognition in another genre, and all my current work is under my own name
  • Name recognition is not approaching cult figure status, let alone bestseller status
  • Fairly small promotional budget
  • My novel is not primarily a romance and has no erotic content (romance and erotica are the bestselling genres in LGBTQ fiction)
  • I had written a fantasy novel featuring werewolves and a protagonist who was not a teen

Once I defined what I was selling and who I wanted to market the book to, I made a list of reviewers and bloggers who I thought might like the book. This list was based on favorable reviews of similar books or having worked with them in the past. In addition, I made a list of venues to approach for readings. I also kept my eye out for podcasts that were looking for guests and for guest blogging opportunities.

Then I picked WisCon, the annual feminist science fiction convention that takes place each May in Madison, WI, for the book launch. I had done a previous book release at WisCon and had a 20-year history with the con, so I was reasonably confident that I could sell a book about a fifty-year-old woman who turns into a werewolf to some of the attendees. I would also able to combine my release with the Outer Alliance party at the con.

I kicked off pre-promotion for the book several months before it came out, doing readings at the following: Marscon 2012, a science fiction reading series at DreamHaven Books, a multi-author reading at Quatrefoil Library in St. Paul, a blog interview on Out in Print and a podcast on lesbian and bi werewolves, all in March.

Then I set up a reading at Women and Children First Bookstore in Chicago the weekend before WisCon. I also set up a reading at Outwords Books in Milwaukee for the week in between Chicago and Madison. I should mention that I knew that these two bookstores existed and hosted readings because other authors recommended them to me. Networking is my friend.
           
At the beginning of April, I wrote up a press release and sent it to bookstores, review sites and other venues that I wanted to approach. This gave me a way to introduce myself to all of the various venues I hadn’t worked with before. By the time my ebook and print ARCs of Silver Moon showed up, I had created a list of 25 review venues and book bloggers. “25” was an arbitrary number that seemed achievable with the rest of my life schedule.

Then I did the following:
  • A Goodreads giveaway of two ARCs to stir up interest in the book
  • One ARC and a press release sent to Write On! Radio on KFAI (Twin Cities radio show)
  • One ARC and a press release to the SF Site in hopes of getting a review and on the New Titles list
  • A request/proposal for a Big Idea post on John Scalzi’s blog, Whatever
  • Networking with other werewolf fans, readers and writers on Twitter via #werewolfwednesdays to announce the book launch
  • ARCs and press releases sent to three werewolf bloggers with a lot of site traffic
  • Panel proposals to upcoming conventions to ensure that I had visibility and a chance to mention my book
  • ARCs and press releases to several podcasts and fantasy blogs
  • Press release to a local bookstore for a Twin Cities reading/signing with mystery author Jessie Chandler
  • ARCs to the 15 or so reviewers who expressed an interest in the book (I got a few refusals/no responses but I also got requests and new invitations from blogs and magazines I hadn’t approached initially)           
How did it go? Well, to sum up, I did 5 guest blogs, four podcasts, three interviews, three bookstore readings, four conventions that included panel appearances and a reading/interview on Write On! Radio. Next up, I’ll be doing a taped interview and reading for a public access show on writing and three more conventions (Diversicon, Worldcon, Gaylaxicon), all with readings and panel appearances. The book has been reviewed on multiple blogs and review sites including Publisher’s Weekly and Lambda Literary Reviews. And I did all this over the course of about three months.
   
Did it work? Honestly, I don’t know yet. The book has more buzz than my other books and my publisher says it’s doing well but I haven’t seen my sales figures yet. Even when I do, small press books take awhile to find their people, as a rule; sales figures for the second half of the year may be very different. Was it worth it? Definitely! Best con moment ever was having my Big Idea post run on the Thursday of WisCon weekend, which resulted in me meeting many swell people. Am I exhausted? Um, yes. 

The moral of the story is, I guess, that research and persistence can pay off when it comes to publicity. There is no one way to promote your book but planning can only help. Finally, take the long view. You’re in it for that book and the next one and the next. A bad week on Amazon is not the end of the world. Good luck! Now I’m off to go do some more promo before bed.

-------------------

Catherine Lundoff is the two-time Goldie Award-winning author of Night’s Kiss (Lethe Press, 2009) and Crave (Lethe Press, 2007) as well as A Day at the Inn, A Night at the Palace and Other Stories (Lethe Press, 2011) and Silver Moon: A Women of Wolf’s Point Novel (Lethe Press, 2012). She is the editor of Haunted Hearths and Sapphic Shades: Lesbian Ghost Stories (Lethe Press, 2008) and the co-editor, with JoSelle Vanderhooft, of Hellebore and Rue: Tales of Queer Women and Magic (Lethe Press, 2011). http://www.catherinelundoff.com>


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Deborah J. Ross

November 2020

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