deborahjross: (Default)
Over on my blog, I host Warren Rochelle to talk about what he's working on -- not one but three projects. Here's the skinny on what he's up to:

What is the one-sentence synopsis of your book?
The Golden Boy: Can Gavin, part-fairy and gay, keep his true self secret, be true to himself, and survive in a country that wants to kill people like him?
The Werewolf and His Boy: Henry, a werewolf, and Jamey, a godling, must find the key left by Loki before it is too late and magic explodes in the world, and at the same time, sort out their love for each other.
Happily Ever After: Everyone deserves the chance to have a happy ending.
deborahjross: (Default)
I had to become someone else to write the things that were important to me.

Let me back up a little. You’ll hear this phrase, “write from the heart,” a fair amount as you navigate the world of writing advice. When I suggested the topic to Deborah, she immediately pointed me to a podcast in which Betsy Wollheim of DAW spent fifteen minutes giving just that advice. So I want to talk a little about why it’s important, why many people don’t do it, and how you can.

Writing from the heart is scary. It means exposing yourself to the world. In a way, it’s like having an intimate conversation with hundreds or thousands or (if you’re lucky) millions of strangers. It’s talking about the pain of breaking up, the fear of not having enough to eat, the loneliness of losing a parent, the depressing reality of falling short. It’s talking about falling in love, about the joy of discovery, about those words your mother said when you were six that you carried with you all your life. It can mean describing your journey from realizing you’re different to realizing that that’s okay.

If this scares you or disturbs you (in an emotional sense rather than a horror sense), that’s good. Tap into a place where you’re not comfortable: those are the raw places from which powerful writing comes. You guard them because they are important to you. And when they are important to you, that passion comes across in your writing. When you put yourself on the page, the reader can feel that, because your characters reactions feel authentic.


Here's how I did it: I’d been more and more openly gay for about a decade when I moved in with my then-boyfriend (now husband), but I still kept it private from my co-workers and other casual friends until I got a better sense of how it would be received. What was fueling my writing then was the urge to show gay characters falling in love, the way I was falling in love.  And I wanted to write them in the aesthetic I was discovering, using animal-people to represent character archetypes.

This was important to me, but it was also scary, not just because of having employers who knew, even then, how to use search engines, but also because I would be writing intimate emotional details. Hidden behind other characters, yes, but it would be exposing who I am in ways I didn’t even do with people I’d worked beside for years.

So I created a new identity. I wrote stories, then a novel, then another novel.Read more... )

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Deborah J. Ross

November 2020

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