deborahjross: (blue hills)
Patricia Burroughs — Pooks of Book View Cafe — began her writing career in romance with five published novels. She received nominations and recognition from RT Reviews and was a Finalist for Romance Writers of America’s Rita.

Then she got lured over to the dark side — screenwriting. She received a Nicholl Fellowship from the Academy of Motion Picture Arts & Sciences for an adaptation of her first published novel, What Wild Ecstasy, under the title, “Redemption.” Uncredited but paying work followed, and she was happy with her Hollywood dreams… Until one day she woke up with a new story rooting itself into her heart, a story that couldn’t be told in a script but needed many more pages to spread out, flex its muscles and take wing. She returned to novels and is presently writing an epic fantasy trilogy.

 
1) What is the title of your book?
Scandalous


2) Where did the idea come from for the book?
My muse had madcap heroines from the 20s/30s on her mind, I’m afraid, even though I was writing about a world firmly set in the (then) contemporary 90s. Before I knew it, speakeasies and flappers and romances of Christmases past were occupying my mind and the life of Paisley Vandermeir.

3) What genre does your book fall under?
Romance. It was meant to be a romantic comedy, and it definitely has those elements, but it ended up having a bittersweet poignancy as well, as Paisley deals with the death, bequests and scandals of her great-aunt.

4) Which actors would you choose to play your characters in a movie rendition?
Louise Brooks is the obvious choice, but alas, she is dead. So I’d go for Jennifer Lawrence, whose spin in Silver Linings Playbook is spot on perfect and has the kind of tough vulnerability (compounded by being downright weird) that I see in Paisley, even though the characters are very different from one another.

Also, even though she’s much too young, I definitely can see Susan Sarandon as the fiercely independent Aunt Isadora [aka Auntie Mame on acid]. I wrote a screen adaptation of this book in which Aunt Izzy comes back as a ghost and haunts Paisley in an attempt to make her do things she wants done. That was more fun than a bag of monkeys.

As for Chris–I don’t know. He just needs to be able to look charmingly befuddled, as if he doesn’t know what just hit him, splendid in a tux, and also be willing to fight like hell for love when he finds it.

5) What is the one-sentence synopsis of your book?
“All she needed was a safe little scandal, and he seemed as safe as they come. Oops.”


6) Was your book self-published or represented by an agency?
Represented by an agent in its print format. The digital edition available now was published by Book View Café. I’m currently looking for an agent who specializes in my current areas of writing interest, science fiction and fantasy.

7) How long did it take you to write the first draft of your manuscript?
Probably three months, though that was once I sold the proposal. Creating the idea, characters, proposal–that all takes more time than I can usually calculate because some of these things live in my head for years before I actually put them down on paper.

8) What else about your book might pique the reader’s interest?
The fashion! Aunt Izzy left a magnificent couture wardrobe behind, and Paisley is having to let go of it one memory at a time.  I am not a fashionista, but I had so much fun researching this book!
deborahjross: (Default)
Author Julianne Lee offers some thoughts on why she loves to read -- and write -- time travel stories.
I adore time travel stories. As far back as H.G. Wells and Mark Twain, the concept of time travel has given us the opportunity to examine how things change and how they stay the same. It is the ultimate fish-out-of-water scenario, and it’s one of my favorite to write because the possibilities are limitless.
Nearly any type of story can involve time travel. Take, for instance, “The Time Traveler’s Wife” by Audrey Niffenegger, which is one of the most romantic stories I’ve ever read. Henry DeTamble, somewhat like Kurt Vonnegut’s Billy Pilgrim in “Slaughterhouse Five,” becomes unstuck in time and spends his life shifting back and forth between present, past and future. Sometimes knowing what will happen, and yet never knowing when, Henry examines his life from a rare perspective. But “The Time Traveler’s Wife” is not categorized as science fiction, or even fantasy. Nor even romance. And that, to me, is a good thing. All fiction should be fluid of genre.

In writing stories of time travel, the field of genre can be quite open, but I believe there are certain rules that must be followed, for the same reasons we adhere to spelling and grammar conventions. It aids communication. Not so much to be rigid about tropes, but for the story to make logical sense. As in any world building, regardless of genre, consistency is key.

Read the rest of her essay here: Deborah J. Ross: GUEST POST: Julianne Lee on Time Travel
deborahjross: (sabertooth)
First of all, a Happy Editor dance... [dance, dance, dance]

This is the first anthology I've edited (actually, co-edited with Phyllis Irene Radford) for Book View Cafe. It began, lo these many many months ago, with an in-house discussion along the lines of "Hey, wouldn't it be fun to..." Book View Cafe has already published several anthologies (Rocket Boy and the Geek Girls, Dragon Lords and Warrior Women -- which has a story of mine! -- The Shadow Conspiracy I and II), so there was some precedent. We knew to ask things like, Will this be reprint, original stories, or both? Will it be a benefit for BVC or will the authors receive shares of the proceeds? How will we define the theme? At a certain point, we'd reached a sufficient level of enthusiasm and clarity so that someone had to put on an organizational (aka editor's) hat.

Thinking this would be marvelous fun, I volunteered, and the way it worked out, Phyl co-edited it with me. I supplied time and my own editorial experience, and she had the expertise of working with the BVC anthology publication procedures. Because there were two of us, we could submit our own stories to one another, thereby avoiding the editing-your-own-work scenario.

One of the things I love about editing anthologies is watching the process, the landscape of that adventure, unfold, discovering moments of truth and hilarity and heart-wrenching sadness and sheer beauty and poetry in prose. Beyond Grimm was no exception. Although we started with "let's retell classic fairy tales," our imaginations took us in other directions as well - the sun-drenched islands of Greek mythology, legends from the frozen north, Arthurian tales, nursery rhymes, even my own riff on the plots of classical ballets. Fairy-tale lands, contemporary urban settings, magical and not-so-magical steeds, spells and epistles of the people's revolution, mysterious locked chambers and shape-shifters...moonlight and storms.

Here's the blurb:

Not your grandmother's fairy tales...
From the far-ranging imaginations of Book View Café authors comes this delirious collection of classic tales newly twisted into dark, dangerous, and occasionally hilarious re-tellings. From the golden isles of Greece to the frozen north, from fairytale castles to urban slums, join us on an unforgettable journey!


And....drum roll....

The Table of Contents...

Through Forests Dark and Grimm...
Hair Raising, by Pati Nagle
No Newt Taxes, by Patricia Rice
Rum Pelt Stilt’s Skin, by Alma Alexander
Of Rats and Cats and Teenagers, by Irene Radford
Tinderbox, by Maya Kaathryn Bohnhoff
Any Brave Boy, by Laura Anne Gilman

Across Golden Seas...
Elfleda, by Vonda N. McIntyre
Harpies Discover Sex, by Deborah J. Ross
To Serve A Prince, by Brenda Clough
The Rapture of Ancient Danger, by Sherwood Smith

In Another Part of the Forest...
Mending Souls, by Judith Tarr
Sister Anne, by Sylvia Kelso
Princess Dancer, by Sue Lange
Nimuë's Tale, by Madeleine E. Robins
Ricky Cowlicky, by Maya Kaathryn Bohnhoff
Little Red in the Hood, by Irene Radford

Around A Campfire...
Hero/Monster, by Amy Sterling Casil
To Ride Beyond the Wide World's End, by Judith Tarr
Turnabout, by Deborah J. Ross

Secrets Unveiled... [this last part is author bios, every bit as delightful and fanciful as the stories they contributed!]
Here's where to buy it, for only $4.99.

The cover photo was taken by my husband, Dave Trowbridge, and is the maze in our back yard.

Mirrored from my blog.

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Deborah J. Ross

November 2020

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