deborahjross: (Default)
Author and former literary agent Nathan Bransford presents another in his series of page critiques. Much of this is a matter of personal preference, but it is fascinating to read his thought process -- what he notices and how he suggests fixing it.

He says,
This is definitely a competently written first page. It sets the scene, it's not difficult to place the action, and it doesn't try too hard to grab the reader by the throat, which is very appreciated. There are some turns of phrase that could perhaps be smoother, but

My main concern is with the action, which I almost missed.

What's interesting about writing action is that there are many different ways to convey it stylistically. You can do clipped phrases (e.g. "He saw blood. Red everywhere. He ran. The killer was close.) or you could do stream of consciousness (e.g. "He saw blood and there was red everywhere and he ran, heart pounding, sensing the killer was close."), you can do a mix.


http://blog.nathanbransford.com/2014/04/page-critique-wednesday-and-importance.html
deborahjross: (Default)
If you have a moment, click over to my blog post on "The Book of My Friend" from a few days ago and check out the comments, particularly the one from Chris Weuve, who has a lot of pro writer friends and wonders about asking them for critiques. Your perspective is most welcome!

(You can post Anonymously, just please sign your name or handle or something so we know you're not a 'bot, okay?)
deborahjross: (Default)
Juliette Wade offers some thoughtful and useful tips on when to add or cut words from a story here. A couple of tidbits:

You might hear critiquers saying: "I have a hard time accepting your premise"/"You're doing too much telling"/"You're gesturing at the story."This one is probably too short. I'm not saying that pieces like this don't sell (I've seen at least one in Analog!). However, if the premise isn't sticking, you may not have used enough words to flesh it out and give it a strong foundation.

You might hear critiquers saying: "I love the voice in this one"/"The thing that really worked for me was the texture..." Be very careful about cutting words out of this one. Yes, there may be words you can cut (I just took a piece like this down from 8300 to 8000 words), but make sure that you're keeping a close eye on which words are contributing to voice and texture at the same time they contribute to plot and character.

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Deborah J. Ross

November 2020

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