Jul. 7th, 2011

deborahjross: (Default)
In her "Culture Share" series, Juliette Wade blogs about subways in Tokyo. The French public transportation system didn't feel all that different to me, but since I live in a rural area, any big city is a strange and forbidding place. I loved this description of the crowds:

The crowds are not like American crowds. First of all, I found I was taller relative to the crowd than I was used to being in the US. This was useful for finding my way, because it meant I could look above most heads if I stood on tiptoe. Second of all, these crowds are very homogeneous. Yes, sometimes you may see someone dressed in formal kimono or school uniform, etc. but the height and appearance of the people is much more uniform than I've ever seen in the US. Third, the crowds are strikingly quiet. People generally do not talk when in a crowd, and will use low voices even with the friends they travel with. When they speak on cell phones, they speak so quietly I can hardly imagine how the people on the other side can hear them. The result is these hordes of people moving in near-silence (which can be disconcerting for an American at first). Fourth, the rules of personal space are just different from those of the US. A Japanese person interacting with you in a private context with lots of room will tend to stand at bowing distance, i.e. further away than an American, who will typically stand at handshake distance. In the subways, however, the borderline of personal space moves to the skin. People move along their own trajectories as if no one else were there, and will often enough walk right through your shoulder with no acknowledgment that they have done so.

When I read this, I got the image of people of striking uniformity in features and dress, colliding with one another in perfect silence and perfect indifference. I don't mean that's my impression of Japanese crowds, but where my mind took the unfamiliar elements. Then I ask, how would this have come about? (I'm remembering that classic Star Trek episode with the critically overpopulated planets and the people outside the model of the Enterprise shuffling past one another. That's one way to depict "close quarters." But what if there were some entirely different explanation? I think of them moving in a sort of shrunken-distance Brownian motion, as if the only way they have to orient themselves is by bumping into one another. And maybe their primary senses are tactile/kinesthetic and telepathic-by-contact, so they move through space like one of those multi-cellular colony organisms (I'm thinking Volvox).

My mind is doing strange things this morning.
deborahjross: (Default)
Over on the Book View Cafe blog, Shannon Donnelly talks about why it's so important to not get stuck re-hashing the same old story, but to move on to fresher ideas:

We write without selling a story. We write and edit and sent off stories with great hope. We get back such stories, and instead of sounding retreat, we retrench. And rewrite and send off again.

That’s where I think the insanity comes in—at some point you need to leave a story alone. It’s not going get better. It’s like pushing mash potatoes around on a plate—they’re never going to change into a nice piece of salmon. So that’s where you need inspiration to come in and take you to something new. Another story. Some fresh characters.


We aren't born knowing when to keep working on a story or when to move on; it comes with experience and frustration and a lot of help from our friends. I've known writers who've gotten so enmeshed with their early attempts that they never have a chance to grow. They remain welded (I was about to type "wedded" but this works better) to an early, undeveloped concept.

Me, I've got so many stories yammering at me to be told, I don't want to waste a significant portion of my writing career on anything but my best. Maybe "my best" won't turn out that way, but as long as I hold to my cutting edge, "state-of-the-art" Deborah, they will get better.

Profile

deborahjross: (Default)
Deborah J. Ross

November 2020

S M T W T F S
1234567
891011121314
15161718192021
22232425262728
2930     

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated May. 10th, 2026 02:18 am
Powered by Dreamwidth Studios